Panels

There will be fourteen panels, each with three or four speakers giving short papers.


1. Circuits of Transmission: Networks of Intercultural Practices and Dramatic Relations in Jacobean England

Organiser: José Manuel GONZÁLEZ (University of Alicante, Spain)

Chair: Monica MATEI-CHESNOIU (Ovidius University of Constanta, Romania)

José Manuel GONZÁLEZ (University of Alicante, Spain)

Eric J. GRIFFIN (Millsaps College, USA)

2. Circulating Hamlet / Hamletian Performances

Organiser: Mark Thornton BURNETT (Queen’s University Belfast, UK)

Chair: Kinga FÖLDVÁRY (Pázmány Péter Catholic University, Hungary)

Mark Thornton BURNETT (Queen’s University Belfast, UK)

Adele LEE (Emerson College, USA)

Sandra YOUNG (University of Cape Town, South Africa)

3. Circulating Shakespeare Performances within the Digital Realm

Organiser: SUEMATSU Michiko (Gunma University, Japan)

Chair: Erin SULLIVAN (Shakespeare Institute, UK)

HAMANA Emi (University of Tsukuba, Japan)

Eleine NG-GAGNEUX (National University of Singapore, Singapore)

SUEMATSU Michiko (Gunma University, Japan)

Greg WATKINS (Stanford University, USA)

4. Ecologies of Media and History

Organiser: Sophie CHIARI (Clermont Auvergne University, France)

Chair: Tobias DÖRING (Ludwig Maximilian University, Germany)

Dympna CALLAGHAN (Syracuse University, USA)

Sophie CHIARI (Clermont Auvergne University, France)

Ewan FERNIE (Shakespeare Institute, UK)

5. Global Shakespeare Publics

Organiser: Elizabeth RIVLIN (Clemson University, USA)

Chair: Alexa Alice JOUBIN (George Washington University, USA)

Zoltán MÁRKUS (Vassar College, USA)

Shormishtha PANJA (University of Delhi, India)

Elizabeth RIVLIN (Clemson University, USA)

6. Let Hands Do What Hands Do: Creating Sign Language Adaptations and Translations of Shakespeare’s Works

Organiser: K. Crom SAUNDERS (Columbia College Chicago, USA)

Chair: Jill BRADBURY (Rochester Institute of Technology, USA)

Monique HOLT (Townson University, USA)

K. Crom SAUNDERS (Columbia College Chicago, USA)

Olivier SCHETRIT (School for Advanced Studies in the Social Sciences, France)

7. Media Circulations of Shakespeare’s Works

Organiser: Aneta MANCEWICZ (Royal Holloway, University of London, UK)

Chair: Hannes RALL (Nanyang Technological University, Singapore)

Andy LAVENDER (Guildhall School of Music & Drama, UK)

Aneta MANCEWICZ (University of Birmingham, UK)

Hannes RALL, Tissina GEORGE and Daniel Keigh JERNIGAN (Nanyang Technological University, Singapore)

8. Reading the Indian Shakespeare Film: A New Genre?

Organiser: Poonam TRIVEDI (University of Delhi, India)

Chair: Mark Thornton BURNETT (Queen’s University Belfast, UK)

Kinga FÖLDVÁRY (Pázmány Péter Catholic University, Hungary)

Diana E. HENDERSON (Massachusetts Institute of Technology, USA)

Poonam TRIVEDI (University of Delhi, India)

9. Shakespeare and the Political Circuits of Asia

Organiser: KOK Su Mei (University of Malaya, Malaysia)

Chair: Ryuta MINAMI (Tokyo Keizai University, Japan)

Diana ANSAREY (University of Malaya, Malaysia)

CHOI Young-joo (Korean National University of Arts, South Korea)

KOK Su Mei (University of Malaya, Malaysia)

10. Sonnet Circuits: Desire, Memory, Trans-lations

Organiser and Chair: Paul EDMONDSON (Shakespeare Birthplace Trust, UK)

Paul EDMONDSON (Shakespeare Birthplace Trust, UK)

John S. GARRISON (Grinnell College, USA)

Zorica Bečanović NIKOLIĆ (University of Belgrade, Serbia)

11. Stratford in Asia, Asia in Stratford

Organiser and Chair: Michael DOBSON (Shakespeare Institute, UK)

CONG Cong (Nanjing University, China)

FUYUKI Hiromi (Waseda University, Japan)

Nicola WATSON (Open University, UK)

WENG Shihui (Royal Shakespeare Company, UK)

12. To Southeast Asia and Back: Trade, War, and Early Modern Drama

Organiser: NG Su Fang (Virginia Tech, USA)

Chair: Amrita SEN (University of Calcutta, India)

Walter LIM (National University of Singapore, Singapore)

NG Su Fang (Virginia Tech, USA)

Carmen NOCENTELLI (University of New Mexico, USA)

13. Travelling Knowledge and Trans*textuality: African Re*Sources in Shakespearean Drama

Organiser and Chair: Susan ARNDT (University of Bayreuth, Germany)

Ifeoluwa ABOLUWADE (University of Bayreuth, Germany)

Susan ARNDT (University of Bayreuth, Germany)

Taghrid ELHANAFY (University of Bayreuth, Germany)

Michael STEPPAT (Shanghai International Studies University, China)

14. Transformative Circuits from Graeco-Roman Historiography and Poetry to Shakespeare: Gender, Festivity, and Politics in the Roman Plays

Organiser: Silvia BIGLIAZZI (Verona University, Italy)

Chair: Eric NICHOLSON (New York and Syracuse Universities, Italy)

Silvia BIGLIAZZI (Verona University, Italy)

Susanne WOFFORD (New York University, USA)

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